Sunday, February 3, 2008

The Five Senses

CAST

Elijah: a 22 year old young man

A Nurse

(A spot light comes up on a man in what looks like psychiatrists couch lying diagonally on down stage right. Even though he is lying down, he is looking straight up at the audience. A dull beep at regular intervals is heard in the back ground)

Elijah

Our olfactory sense, sense of smell… is a funny thing. Just a whiff of something particular and a torrent of memories are released in your conscious. They say it’s because you olfactory bulb is situated right here (points to his forehead) in the area right above your hypothalamus, the place that stores your memories. It think, that’s why my earliest memory of you is the way you smelled.

(Beep)

You won’t remember this, but right before leaving work, and after hugging mum, you would scoop me in your arms and tell me to be a good boy in school. I would nod, wide eyed and vigorously, and bury my head in your chest; the smell of your aftershave, mingled with mom’s gardenia perfume would invade my senses.

(Beep)

It served as a place to regress to when I sat beside mama and the thick smell of sickness hung heavily in the air. It was where I went, when I bent low to clean the vomit off the floor when you came home soused every night. Every time she retched into the septic bowl on the side of the bed, I could see you leaning over the edge of the sink, red eyed throwing up, your head hanging dangerously close to the garbage disposal unit.

(Beep)

I would sit up at the window, way past a 10 year old’s bed time, waiting to hear the sound of your slow heavy trudging or the police car that would bring you back to your contorted reality, so that I could check on mama again and trudge up to sleep.

(Beep)

In the nights, I would hold my pillows around my head, to drown out the medley of your inebriated snores with mamas screams. It would prepare me for the harmony of taunts I’d hear in school about my drunken father the next morning.

(Beep)

Do you remember the crash of the old armoire, where mama had kept grandma’s china, when those large burly men from the collection agency dropped it on the driveway while taking it away? So many little shards of glass got into my legs, but it didn’t hurt, very little hurt after you left my hand and walked away for a cigarette when the Father Bill was talking at mama’s funeral.

(Beep)

Did you know how many times I tried to kill myself then? The cold steel against my wrist would feel like an unfulfilled promise. And my outsides, tightly wrapping my insides would tremble for joy. I would have to keep switching wrists, time and again, so that my bones would not dig too deep into my flesh while I slept on the wooden plank every night inside the dusty church orphanage.

(Beep)

Even at fifteen I was too short to be peering over the top of the heads of the crowd in church every Sunday. But I would somehow always spot you, scanning the pews, finding her a spot to seat her 400 dollar dress covered ass. You always missed the spot I was sitting at somehow. The people at youth group said that you looked like her bitch.

(Beep)

Like her little dog, eager to please her, your eyes widened big and brown every time she turned to bark a command at you. The sight of the bouquet of orchids

(Beep)

that she carried on the day you married her is still burned into my eyes.

(Beep)

I was already used to the taste of blood by then, but the metallic taste of the cut in my lip from the slap you administered on my face was a treat.

(Beep)

The bile in my throat had already choked me, but it was the least of my concerns as you walked away that day. I don’t even remember what I wanted to

(Beep)

say, and you kept interrupting me, just like you are right now.

(A long flat beep is heard)

(A nurse enters, frantic. She is talking out to the door, the light on stage is following her and she stops at a bed with a skeletal figure in it.)

Nurse

He’s flat lining! (to Elijah) What happened?

Elijah

(Ignores her)

Good bye father.

(He gets up and walks out. Lights go out)

Satire V

CAST

Jan: The editor of “The Herald”. Jaded and tired; 36

Julie: A journalist at “The Herald”: Passionate and anxious; 31

Secretary: A secretary, very nervous and servile; 21

The lights come up on an office. It is cluttered . A glass slab on the right side of the upstage center wall reads “The Herald” below which a tagline reads “Your voice. Your choice. Since 1934.” On either side of the wall are several certificates that “The Herald” has won for “journalistic excellence, “best coverage of the Watergate Scandal” and so on. A desk and a chair are placed directly below the glass slab and on it is a phone, some files piled high in one corner on another corner of the desk, a bottle of water.

Jan, the owner of the desk, sits in the chair. She is listening to voice messages on her phone.

Voice (which turns out to be Julie)

…..It’s urgent please give me a call as soon as you get this.

(Beep)

Voicemail

Next message sent yesterday at 11:35 p.m.

Voice

(Exasperated)

Jan it’s me again. I still have not heard from you regarding the e-mail mess up. It keeps telling me that my username is not valid. I even called the tech desk and they told me, that my username is not valid and I have to ask you why that is. I really need to get on there ASAP. All my work is on that account and I’ve got the Genevive article that is due tomorrow on there. Just give me a call pronto because we really need this taken care of.

(Beep)

(Jan presses a button on the phone)

Voicemail

Message Deleted.

Secretary

(Enters from DSR door)

Steve’s home room teacher called about the PTA meeting. Your 10 o’clock is here.

(Julie storms in)

Julie

I’ve left you 14 messages since yesterday. You refused to see me all day long, my e-mail is not working and I’m already late on the submission of the Genevive article. The tech desk told me that you asked them to deactivate my e-mail address. What do I do?

(Beat)

(Jan is silent)

I have a lot of important work on there and I really need it.

(Beat, jokingly)

Is this some weird way of firing me?

(Beat)

Are you firing me?

Jan

( Very quietly)

You need to have your desk cleaned by five.

Julie

You have got to be shitting me.

Jan

Jules, don’t make this harder….

Julie

You have got to be shitting me

Jan

If it makes you feel better, I had no say in this….

Julie

Then why?

Jan

(Softly)

Headquarters said you had to go.

Julie

It’s the articles on the Eastlake case isn’t it?

Jan

(Tired, almost pleading)

I don’t know. And I can’t discuss what happens in the board room.

Julie

It is those articles! Admit it Jan, if you’re going to grovel to corporate headquarters then at least show some courage in your own office.

(Beat, Calmer)

I’ve been the core journalist at “The Herald” for six years and one fine morning, I’m fired . It was those articles, wasn’t it?

Jan

(Without looking her in the eye)

They did ask you to withdraw you statements.

Julie

And I didn’t do it, because I thought you were behind me. The Eastlake case has received such distorted coverage. Those six little boys were killed by the carelessness of a big corporation and we need someone to tell the truth and stop every news source from becoming a glorified press release of Eastlake and Company. I think we achieved that.

(Beat)

Not to mention that withdrawing my statements would be an appallingly stupid thing to do because it would taint the credibility of “The Herald”

Jan

(Wearily, as if memorized)

It was a hotbed of controversy Jan. We can’t square the blame on anyone. It could have been anyone, the parents of the kids, the FDA, the retailers who sold the candy bars, anyone…….And we have nothing to prove that the your coverage was as unbiased as you say it is….

Julie

Except for public opinion and sales of course. But what use would a thing like “public opinion’ mean to a newspaper that claims to have “Your voice. Your choice. Since 1934.” Does headquarters know how badly this is going to reflect on the paper?

Jan

I don’t know if you’ve noticed Jules, but headquarters does not really care for the reputation or level of ‘journalistic integrity’ of the newspaper. You’ve ruffled feathers Jules. They want you out. I don’t have a choice.

Julie

What a crock of shit Jan. You’re the editor and we’ve given them the sales; we hit an all time high on the day of the verdict. Everyone wanted to know what we had to say. We gave headquarters the money they wanted and we gave people the news they wanted. I don’t understand why this is a problem.

Jan

Well, they thought it was.

Julie

Jan, you’re the editor, you have the final word on this. We’ve been under them only for a year now, and you’re already taking your allegiance to them a little too seriously. What would a company that makes clothes for little kids know about running a newspaper?

Jan

….. Nothing. They know nothing. But we don’t have a choice, because they’re the ones who fill up the printing presses with ink every night, they’re the ones who give us the reams of paper to run through the rolls of ink…..They are the reason you and I take a salary home every fortnight.

Julie

(Dryly)

And they’re the ones who paid for your paid five day holiday last month……

Jan

My mother-in-law was ill, we thought we were going to lose her.

….And since headquarters has to maintain it’s little ‘friendship’ with Eastlake and Co we have to whisper the truth in a country that touts itself as a democracy.

Jan

If you piss off Eastlake, you piss of Headquarters. And you can piss of headquarters as much as you want, just not using “The Herald” as a platform.

(Beat, begging to Julie)

We’re not their primary endeavor Jules, they can cut us off anytime. I’m responsible for 155 other people’s jobs and well… I can’t choose you over everybody else.

Julie

I’m not fighting for my job Jan, it’s not about me. It’s about telling the truth and standing up for what’s right irrespective of what the people with the money want us do.

Jan we’re journalists, we have a responsibility. We’re Burke’s fourth Estate. We are the ones who keep the cogs of democracy turning. We defeat our own purpose if we only say what the bigger corporations tell us to say.

Jan

(Apologetically, reaching to pick up her waiting phone call)

Jules I’m sorry, I really don’t have the time for this right now…

Julie

Nobody has the time anymore. For anything. And yet, we’re the laziest fucking generation there ever was. During the Vietnam War, streets were lined with protestors and newspapers rife with scathing editorials. Now? Now we sit tight in our centrally heated houses in suburbia and tut-tut at anything that makes us uncomfortable. We, we that are supposed to be the voice of the people are available for a few dollars in mergers and acquisitions and headquarters decides everything.

(Beat)

Do you remember graduation, Jan? When we took our journalistic oaths… “For the people by the people, of the people”…..So it’s not about me Jan, it’s about you.

Jan

(Beat)

You seem very good at making fiery speeches Jan. Maybe you should become a politician.

(Beat)

Please do not remind me of what the truth is, or tell me how to do my job. I am well aware of both. This is a business and I’m running it as such. Now if you will excuse me.

Julie

Good luck with “The Herald” Jan or with being able to get sleep at night, which ever seems harder from now on.

(She turns around and exits)

Secretary

(Comes in sheepishly)

I am so sorry; she just stormed past in before I had a chance to say anything. Your 10 o’clock is still waiting.

Jan

(Still looking out to where Julie left)

That’s all right, send them in.

(Fade to black)

The Maid Servant Speaks (A sort scene based on Artemesia Gentleschi's Judith and Holofernes Series)



CAST

The Maidservant: A young woman, heavily pregnant and a product of the society that she lives in and the way she has been treated all her life; 25

Agonisto: An important, high ranking official of what would eventually become the Esercito Italiano; 59

Modenese: Also a high ranking official in the same organization; 31


(The lights come up on a simple bare room. On the upstage center wall hangs an austere wooden cross. All across stage left is a single clothes string, barely covered with a few worn but clean garments. In the center of the stage, there is a stool on which sits the maidservant, heavily pregnant, dressed exactly like she is in the picture . She is staring straight ahead, stoic and unmoved. Modenes paces behind her while Agnisto sits in a high backed velvet chair down stage right facing her.)

Modenese

(beggin)Speak truth now,

Your young mistress is in the other room

And the tune she sings, at odds with yours,

In the name of God, speak truth and be saved.

The Maidservant

I know nothing.

Agonisto

Was it not your hands

Sodden with the blood of Holofernes

Stuft’ in a sack his head while she looked on?

The Maidservant

It was not I.

Agonisto

Then let the middle of the earth open

And swallow you whole…..

Modenese

Truth in trammels and lies, are same

A sin in the eyes of the God you love

Then shame him not to call you his own child.

End this pretence and hold his head up high.

The Maidservant

Reject Him and hell shall punish you

Bade Matthew to His people

Loyalty to thine master He said

Judas Sicarius I am not.

Agonisto

What did the man to you and your mistress?

Why suffer he so an affront in death

That ripped you so noble a crown from neck?

Modenese

The air of Florence rend with cries

A man, a father, friend was he.

An elevated moral man

Of noble birth and generous hand.

Pray speak, to you I swear

None shall suffer but the guilty

And you know who that is.

The Maidservant

This nobleman that you laud

Has made his serpentine presence felt

In the chambers of my pure mistress

Against her will, while she wept.

Agonisto

The truth, the truth, the truth asked he

No falsification you institute

Will deliver you from your hateful deed.

My soldier awaits my word

To fetch your cup of Toffana.

Modenese

If not for you then for whom you there hold

Is not the original sin enough?

Why should suffer three for the sin of one?

Has fate not been a cruel enough ruler?

That you feel needful to incite the wrath

Of that the ruler of our state and law?

The Maidservant

A small price it is to pay

A feeble sacrifice will it be

Two lives instead of one

The sins of the father, so they say

Must be visited upon the son

What good is a child who cannot pay

The price of a son?

And so what good is a servant who cannot

Pay their dues to their masters?

Never again will St. Peter cry

Deem me worthy he will to judge

And stand by him at the pearly gates

The day you come before me

Without gripe or grouse

Will I step aside

And let you enter.

More assured I am of space in heaven

For this forfeit.

Agonisto

The soul is truly dead and defeated

When betrayal is extinguished by a

Deep servile worship as this, yours.

Modenese

What good is evil corrected

If it is not the evil that stand corrected?

Grace the law, grace your life.

Speak the truth now

Testify your innocence

The Maidservant

It was I.

That killed your noble Holofernes

(To Agonisto)

Why spend such much time on deep servile worship?

When do I get my promised death cup?

(Agnosito gives the signal and two guards enter from Stage right. Stoically they nod and hold a cup to her lips. Lights go out.)

The devotee

Today he would go to the temple.

As he got closer, the mixed smell of cow dung and marigold assaulted his senses leaving a bitter taste at the back of his throat. The crowds got thicker, but he dodged the shuffling bodies, gliding in a clear confident path with a dexterity that could only have come with having been in crowds before. He went unnoticed past the old lady with the cow sitting on a pile of dry grass and the large stand that housed the assortment of chappals (slippers) that came off worshipper's calloused feet. The vibrations of these heavy feet pounding against the cobbled stones rattled his insides, but he felt nothing. Make no mistake, his senses were crackling and he recoiled to miss a particularly heavy stepping large man and continued, without missing a beat. His eyes narrowed down into slits as he noticed her golden and maroon slippers. She was here. He smiled and ran an eager tongue over his lips.

He snaked his way past the statues of the various deities and eager crowds, not stopping once to worship, till he came to a stand still in front of Kali. He knew she was here; he had tasted her in the air. The sweet, thick, sickening smell of mogra (a flower that is usually used in Indian women’s hair) that constantly clung to her was a dead giveaway. He isolated the vibrations of her voice in the air and followed them. She was singing, a sukta (Song) he recognized from the Rig Veda, sounding almost sinuous from her high pitched breathy voice. It was a Tuesday, the day that most devotees flocked to Kali (The Goddess of Justice and Revenge). And there she was. Her sari rose ever so little with every step she took in preparation for her pooja (prayer), to expose her tantalizingly milky white ankles that stood in a stark contrast with her feet that had been dirtied by the temple floors. She was beautiful and he imagined that many a young man was looking at and enjoying the same sight as him, much more than he was. Her hair was open and she seemed immersed in arranging the flower petals at the base of that militant Goddesses feet. He stood there unnoticed for several minutes, just like, he imagined his only love, his beautiful, his Tannistha had, the day she was killed.

He had told her, that they would not understand her love and her devotion, she was an inferior being and not allowed to worship with them. She ignored him. Once they too, were creatures of God, he had clarified, but now, they lurked on the social and religious outskirts, feared, and ostracized because of that fear. Tannistha had resented that. God does not discriminate between his children she had said. The name she had been given, by the one kind hearted priest he knew, meant 'devotion' and there was doing nothing else that made her happier. In everything, she gave her heart and soul; for her children, for him, and for God. But the children were now gone, he could have never loved her enough, and the very God she fervently worshipped had forsaken her. He had found her on the street across the temple, still, coiled unnaturally tightly in her last excruciating minutes of pain. Her slender neck was twisted around completely, leaving her glassy eyes to reflect the slanting rays of the setting sun instead of shining with the light that used to emanate from her. It was in those eyes that he saw the woman he was looking at right now, her face contorted in an ugly grimace of rage and fear; the last face that his beloved Tannistha saw.

She continued to sing; now pouring the last of the lota (pot) of milk to wash the Kali's feet. He waited patiently. She must finish Tannistha's interrupted prayer. For what must have been an eternity, her lips, behind her closed palms, moved silently and furiously. He looked at the blackened face of the Goddess, her large bright eyes and the sharp red tongue that stuck out from her orange lips. Her face was frozen in a convoluted smile. She was about see justice being done. His calm was unnerving, even to him. He had almost missed it when she stopped moving her lips and bent low to touch her forehead to the feet of Kali

Aligning himself with his target, he raised his head, threw out his hood and threw his entire body at the bent ankle and buried his fangs deep into her flesh. He felt her quickening pulse, the immediate rush of blood, the wave after wave of her life force from her body rising to meet the flow of venom from his body. He was floating in space, his mind entered another plane and he closed his eyes. He did not even notice when he was ripped off and dashed against the pock marked steps of the temple. The heavy wooden blows did nothing to disturb his peace.